Goo Goo Dolls Celebrate the 4th in a Downpour

Question: What do these three guys have in common?

jovi stamos rzeznik
Name: Jon John Johnny
Born: 1962 1963 1965
Occupation: Lead Singer
(Bon Jovi)
Lead Singer
(Jesse and the Rippers)
Lead Singer
(Goo Goo Dolls)
Hair: Glorious Incredible Magnificent

Better question: What don’t these three guys have in common?

There’s one thing that separates Johnny Rzeznik from the rest: He is willing to make the ultimate sacrifice for his art. Yeah, it’s pouring rain. Yeah, his stylist is gonna be pissed. Yeah, it’ll probably take hours of blow drying, mousse, and hairspray to undo the damage. But it’s July 4th, it’s the hometown crowd in Buffalo, NY, and the show must go on. Here’s “Iris”:

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Kurt Cobain Would Like to Know Where You Slept Last Night

After Nirvana ended their Unplugged in New York special with Where Did You Sleep Last Night, the producers wanted an encore. But Kurt didn’t think he could top the performance. Plus, he had prefaced it with “Fuck you all, this is the last song of the evening.” So, that was it. It’s easy to say in retrospect, but this sure does look like the work of a supremely talented and deeply troubled artist. Whatever combination of drugs, demons, and passion produces the look at 5:06, it is truly haunting.

Nirvana’s Unplugged in New York show was taped 5 months before Kurt Cobain died in April 1994, and was released later that year. At the time of its filming, Kurt was apparently suffering drug withdrawals, was unwilling to truly play acoustic, and asked that the set be decorated like a funeral. The setlist was filled with somewhat obscure covers including Where Did You Sleep Last Night, Nirvana’s take on a Lead Belly arrangement of a traditional tune. Unplugged in New York was a commercial enterprise and a huge commercial success, but Kurt and Nirvana did it their way.

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Aloe Blacc Earns that Dollar

Here we have Aloe Blacc and friends with a Parisian coffee shop a cappella version of I Need A Dollar. This performance is part of the Take Away Shows series put together by La Blogotheque, which is really worth checking out. Aloe Blacc has a crew with him to provide the finger snaps, hand claps, and Hey-heys that give this version its smooth rhythm and throwback vibe. For my money it’s better than the record.

You don’t have to take my word for it though. Listen to the applause at the end, then remember this: That applause is from French people, just trying to get a coffee or a glass of wine, and they’re applauding an American. You go to a restaurant or cafe in Paris, bang on the table, start hollering in English, and see what response you get. I’ll bet my dollar against applause.

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Florence + the Machine Get Everybody High

“We need human sacrifices!”

So says Florence Welch, lead singer of Florence + the Machine, getting as many people as possible up on shoulders before launching into Rabbit Heart (Raise it Up) at the Reading Festival in 2012. If you watch a lot of Florence + the Machine live shows, you’ll find she’s a pretty consistent advocate of questionable behavior – dangerous actions, doing things you’ll regret later…

With the backdrop of ominous weather at Reading 2012, and Florence’s enjoyment of it, this whole set was pretty special. As the show goes later, the rain falls harder, and Florence keeps upping the energy, with rain and mascara running down her face. But this song is where it all kicks off, starting with her shoes. Someone as theatrical as Florence Welch couldn’t be more in their element – check out the shot at 5:01 for example. And then you have to love the security guard trying to keep up with her as she runs off stage, sprints away from him, and fires up the crowd while he does his absolute best to protect her from some unseen threat. Beautiful stuff.

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A Killer Neil Young Cover by Grace Potter and Joe Satriani

According to Rolling Stone, Neil Young’s Cortez the Killer is the 321st best song of all time, featuring the 39th best guitar solo of all time. So the original album version is awesome. But it’s been covered a lot too, and covered well. Warren Haynes has made a habit of playing epic versions in his own band (Gov’t Mule) and with others (The Dead, The Dave Matthews Band).

But the version posted below is too good to pass up. Joe Satriani does things on the guitar that are incomprehensible, even after multiple views. Grace Potter’s vocals start off slow and just keep building, getting bigger and better as she goes. And she looks like she’s having more fun than anyone in the building. Except maybe for Willie Waldman, who adds a new dimension to the song with a killer trumpet part, then throws his hands up in victory at the end. As he should. As they all should.

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